Lusiné VartanLV

Design Leadership, Zero to Ten

The Practice

I grew Dignari’s design capability from one person to a ten-person multidisciplinary organization, then helped integrate the practice into EY after acquisition.

RoleHead of Design
ScopePractice building
Years2018 to 2024

At a Glance

The situationA federal technology firm with no design function. I was employee 24.

My roleHead of Design: hiring, career paths, standards, critique, and the operating model.

The workTen practitioners, one design system, fifty-plus applications, a 2020 rebrand at peak growth.

What changedA durable capability, strong enough to be part of the case when EY bought the firm.

Ten people.

Fifty applications.

Millions of users.

The Ratio

Zero to ten.

Built from nothing.

I was employee 24, and I built the design and customer experience function from nothing: UX, research, content, visual. The firm grew to roughly three hundred people. My design team stayed at ten, and we carried more than fifty applications across desktop, mobile, tablet, and AR. That meant hiring for complementary strengths, writing career paths, running critique, and building an operating model where standards did the scaling.

After EY acquired Dignari in 2024, I helped integrate the practice into the larger organization: shared ways of working, standards, mentorship structures, and review paths across more than twenty practitioners.

The standards decision.

The standard did the scaling.

Keeping that many applications consistent with a team that small isn’t heroics. It’s systems. We built a reusable design system on Material and USWDS foundations, and it’s been in use every day since 2018. That standard is what let us scale.

The OIT Design System website: style, components, patterns, and content guidance for CBP digital applications
OIT Design System · In use since 2018System

The identity underneath.

In 2020, while the firm tripled, I led its rebrand. The old mark was a parachute: steady, careful, descending. The firm had outgrown it. The new one had to accelerate. Not a coat of paint: a constructed mark, a color system, typography, an icon language, and a pattern, documented so thoroughly that a ten-person team could apply it without me in the room. The same year the practice modernized its whole design pipeline into Figma, cutting the tool chain from nine steps to four.

The old Dignari logo beside the new: a dotted sphere wordmark, then the constructed D mark
The old and the new2020
The brand message, before and after the rebrand
The message, before and after2020
Construction drawing of the D mark: grid lines and geometry over the letterform
ConstructionIdentity
The constructed mark beside a drafted profile: the same geometry, applied
Construction · AppliedIdentity
The color system: hex values arcing through blue, greens, yellow, white, charcoal
Color systemIdentity
The type scale of the rebrand
Type scaleIdentity
Location pin icon Browser window with heart icon Lightbulb icon Analytics magnifier icon Launching rocket icon
Laboratory flasks icon Map with pin icon Handshake icon Envelope with letter icon
ID badge icon Two people connected icon High-speed train icon
Icon languageIdentity
The design pipeline before and after Figma: nine tool steps reduced to four
Pipeline · Before and after Figma2020

Alongside the firm’s own identity, the practice built and stewarded a suite of program marks for U.S. Customs and Border Protection. Each a commissioned identity for a distinct initiative, delivered and handed off to agency program teams.

Program identity suite · U.S. Customs & Border Protection

S.I.M.B.A. — Sea-Innovation, Mobility, Biometric Advancement program mark: a lion silhouette over a circular seal
S.I.M.B.A.Program Identity
Border Security Deployment Program mark: a hawk head over a circular seal
BSDPProgram Identity
CBP Mobile program mark: a phone with officer interface over a globe, surrounded by transport mode icons, with the line Travel. Verify. Proceed.
CBP MobileProgram Identity

The research discipline.

We mapped the day before we drew the screen.

AI-288 is the inspection tool agricultural specialists use at seaports. The legacy app was six years old and built without UX support. My team mapped a specialist’s actual day, then redesigned the tool around it.

Journey map: the day of an agricultural specialist, from the office through vessel inspection to submission
AI-288 · Day of an agricultural specialistResearch
Two AI-288 ship inspection report screens: arrivals list with vessels, ports, and inspection statuses
AI-288 · The redesigned toolProduct

Product imagery from Dignari portfolio materials. Identity and system imagery from Dignari brand materials. CBP One and AI-288 are products of U.S. Customs and Border Protection.

Before the wave had a name.

Years before generative AI was a headline, the practice was designing for machine intelligence at a border agency: a voice translation tool for officers, an enterprise chatbot, and a HoloLens application that used object recognition to help spot counterfeits. New technology inside a compliance culture. That combination is still rare.

An officer wearing a HoloLens at a container yard, augmented panels floating in view
HoloLens · Counterfeit detection in the fieldField R&D

What it added up to.

One designer → a ten-person multidisciplinary practice → integrated into EY.

Strong enough to be part of the acquisition case.

A small team, a large surface, millions of users. I led a rebrand in 2020, right when the firm was growing fastest. By 2024 the practice was strong enough to be part of the case when EY bought the firm, and after the acquisition, the ways of working I built were adopted across more than twenty practitioners at EY.

I built more than a team: standards, career paths, and ways of working that made design a durable capability through growth and integration.

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