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Lusiné VartanLV

Work Notes Résumé About Contact

Notes

How I pay attention.

I draw while I listen. These were made during my Darden classes, on the same pages as the notes.

R. Edward Freeman teaching Business Ethics — Drawn while he was teachingR. Edward Freeman · Business Ethics

The portrait, drawn live in his class. He signed it. — I drew him during class. He signed it.Business Ethics

The professor, holding the portrait

The portrait, in the pocket notebook

Class notes: the Nietzsche why quote boxed, agency theory underlined — “He who has a why” — boxed into the agency-theory notes

The peacock, sketched in the notebook — It started in the margin of my notesSketch, then carved panel

The finished signed peacock carving — It started in the margin of my notesSketch, then carved panel

Stone cottage, beside a case study — Stone cottage, drawn beside case-study notes

Coastal cliffs, inside stakeholder-theory notes — Coastal cliffs, drawn inside stakeholder-theory notes

Cafe interior, in ink

The man in the hat — Portrait of a man in a hat

Change doesn't last, handwritten mid-sentence, pen still in hand — “Change doesn’t last” — written mid-class

Faces drawn on cafe napkins spread across a car seat, beside the note forgot my notebook — Forgot the notebookNapkins will do

Flowers in green and yellow, the only color study — The only time I reached for colourGreen and yellow

Peacock in blue ballpoint, feathers dissolving into notes — The tail kept going into the notesBlue ballpoint

Mountains, drawn across an HBR cover — Mountains, drawn across a Harvard Business Review cover

Reeds and a bird, pen still in hand — Reeds and a bird, in ink

The peacock mid-drawing, pen in hand over graph-paper class notes — The peacock mid-drawing, over graph-paper class notes

Profile in ink, framed in branches, on graph paper

Wide view of the blue ballpoint portrait surrounded by scenario-planning notes — Blue ballpoint portrait, surrounded by scenario-planning notes

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