Lusiné VartanLV

Notes

How I pay attention.

Pen sketches drawn during my Darden EMBA classes.

R. Edward Freeman teaching Business Ethics
R. Edward Freeman teaching Business Ethics
The portrait, drawn live in his class. He signed it.
Portrait of R. Edward Freeman, drawn live in his Business Ethics class and signed by him
The professor, holding the portrait
The professor, holding the portrait
The portrait, in the pocket notebook
The portrait, in the pocket notebook
Class notes: the Nietzsche why quote boxed, agency theory underlined
“He who has a why” — boxed into the agency-theory notes
The peacock, sketched in the notebook
The finished signed peacock carving
The peacock — notebook sketch beside the finished carving
Stone cottage, beside a case study
Stone cottage, drawn beside case-study notes
Coastal cliffs, inside stakeholder-theory notes
Coastal cliffs, drawn inside stakeholder-theory notes
Cafe interior, in ink
Cafe interior, in ink
The man in the hat
Portrait of a man in a hat
Change doesn't last, handwritten mid-sentence, pen still in hand
“Change doesn’t last” — written mid-class
Faces drawn on cafe napkins spread across a car seat, beside the note forgot my notebook
Forgot the notebookNapkins will do
Flowers in green and yellow, the only color study
Flowers in green and yellow, the only color study
Peacock in blue ballpoint, feathers dissolving into notes
Peacock in blue ballpoint, drawn into class notes
Mountains, drawn across an HBR cover
Mountains, drawn across a Harvard Business Review cover
Reeds and a bird, pen still in hand
Reeds and a bird, in ink
The peacock mid-drawing, pen in hand over graph-paper class notes
The peacock mid-drawing, over graph-paper class notes
The subject in profile
The same profile in ink, framed in a wreath of branches over graph paper
Profile in ink, framed in branches, on graph paper
Wide view of the blue ballpoint portrait surrounded by scenario-planning notes
Blue ballpoint portrait, surrounded by scenario-planning notes